Tag Archives: Medway

A Medway Christmas Alphabet: The Full Story

A-Z

You can blame a chap called Philip Kane for this. Back on 1 December, he posted on Facebook the social media version of the old chain letter thing that went as follows:

“So the idea is to fill facebook with music, breaking the monotony of nasty, divisive headlines and images on our news feeds.

If you ‘like’ this post, you will be assigned a letter for a musician, band, artist, song, track or dj to post to your time line with this text”.

I liked it. He came back to me with the letter R. I came up with Rodrigo y Gabriela & C.U.B.A.’s ‘Santa Domingo’ – as you do – and before you know it I’d committed myself to the idea of stealing the whole concept and coming up with some music of Medway origin (or, if you will, MOMO) for each letter of the alphabet.

26 blogs later and I can finally move on with my life.

It has actually been fun – not least because there’s been the opportunity to focus on individual songs in a way you might not otherwise. Being an alphabetical list, there’s been less need to focus on continuity and history.

One day we’ve had a song by Balance Lost (a current band), the next we’ve had a song that’s had two outings: once in the early 1990s and then just a couple of years ago. Then, the day after that, we’ve had a song from 2010 which expresses its boredom with Medway bands from the 1980s.

It’s meant there’s been a wide variety of styles and sounds which all goes to show what an amazing melting pot of ideas this small collection of towns in the north of Kent is.

If you missed any of the blogs, not to worry: here they all are listed for your convenience – in alphabetical order, obviously.

A – The Singing Loins – ‘Alien’

B – Funke and the Two Tone Baby – ‘Bella’s Kiss’

C – Stuart Turner and the Flat Earth Society – ‘Call Me Dave’

D – Brigadier Ambrose – ‘Decembered’

E – Thee Headcoats – ‘Every Bit of Me’

F – Wheels – ‘Forget It’

G – The Dentists – ‘Gas’

H – Bob Collins and the Full Nelson – ‘Holy Man’

I -Theatre Royal – ‘I Believe in Father Christmas (Don’t Get Me Socks)’

J – Wolf’s Head and Vixen Morris – ‘Jump at the Sun’

K – Frau Pouch – ‘Krakthulu’

L – The Claim – ‘Losers Corner’

M – Broken Banjo – ‘Might As Well Be Hell’

N – Hand of Stabs – ‘The Night Had No Terror For Us’

O – The Daggermen – ‘One More Letter’

P – The Prisoners – ‘Pop Star Party’

Q – Wild Billy Childish and the Musicians of the British Empire – ‘A Quick One – Pete Townsend’s Christmas’

R – The Ambience – ‘Rome’

S – Balance Lost – ‘Shield Against the World’

T – The Kravin’ “A”s/Suzi Chunk – ‘Tripwire’

U – The Love Family – ‘Up in the Air’

V – The Flowing – ‘The Voyage’

W – Lupen Crook – ‘World’s End’

X – CTMF – ‘X-Craft on Tirpitz’

Y – Bear vs. Manero – ‘YRANYRBYM’

Z – KILL RPNZL – ‘Zombie Midwife Afterbirth Squad’

Find out more about many of these bands and artists – and many, many more, in my book: Do it Yourself: a History of Music in Medway.

A Medway Christmas Alphabet: X is for ‘X-Craft on Tirpitz’

‘Tis the festive season of advent calendars and countdowns to Christmas. To mark the occasion, what better way than to have a completely non-festive A-Z of Medway songs.

CTMF - All our Forts

CTMF’s ‘X-Craft on Tirpitz’ from their 2013 album All Our Forts Are With You sees the coming together of two motifs from Billy Childish’s musical palette: the twentieth century’s two world wars being one; instrumental interludes being the other.

There’s been a long strand of references to World Wars One and Two (often focusing on German participants) in Childish’s music since The Milkshakes appeared beside a German Junkers Ju 52 on the cover of their 1984 album The Milkshakes in Germany.

(Is it just me, or does “Junkers Ju 52 sound like a bingo call?).

Since then, there’s been a cheerily named Headcoats album, The Messerschmitt Pilot’s Severed Hand – together with a song of bearing the same name – and The Buff Medways’ entire visual presentation revolved around band members dressed as soldiers from The Great War. One album was even named 1914 after the year in which that conflict began.

The Musicians of the British Empire continued with the military theme – both in dress and song: one particularly obvious example being ‘Merry Christmas, Fritz’, inspired by the 1914 ceasefire, from that band’s Christmas 1979 album.

So the appearance of a CTMF tune referencing the 1943 attack by small Royal Navy submarines (the ‘X-Craft’ of the title) on the German battleship Tirpitz makes perfect sense.

‘X-Craft on Tirpitz’ consists of a guitar line imitating the regular dot and dash pulses of Morse code.

It’s played over Wolf Howard’s incessant, thunderous drumming. All of which makes for an intense, claustrophobic sound perfectly recreating – through the medium of music – a life of tension beneath the sea.

A Medway Christmas Alphabet: W is for ‘World’s End’

‘Tis the festive season of advent calendars and countdowns to Christmas. To mark the occasion, what better way than to have a completely non-festive A-Z of Medway songs.

Lupen Crook - Pros and Cons

My introduction to Lupen Cook came in the form of songs like ‘Dorothy Deserves’ and ‘Lest We Connect’, songs which revel in a macabre disarray and manic chaos.

And there’s much to like in the songs: fantastically, imaginative tunes full of fast moving musical ideas and lyrics spat out with machine-gunfire rapidity.

But for all the allure of the havoc and disorder, it’s the songs which slow down, pull back and mull things over which make the more lasting impression.

Certainly this is the case with the songs from Waiting for the Post-Man which Lupen Crook recorded as a solo, largely acoustic project – a means by which to grieve over the loss of his close friend, Matthew Stephens-Scott. It’s a beautiful, beautiful album, openly honest with its heart carved out on its wrist.

‘World’s End’, from that album’s predecessor, The Pros and Cons of Eating Out, comes from a time before Stephens-Scott’s death; he even contributed a lyric to another song on the record. But, amidst all the whirlwindery of ‘Dorothy Deserves’ and ‘Lest We Forget’, it too gives itself time to meditate – to take a break from all the disarray and discord.

The song is a reflection on the chaos. ‘It’s just here I realise the beast I have become,’ he admits at one point. He’s been ‘thinking dark and desperate things’. Elsewhere, there’s the realisation that he’s been ‘missing out on the best years of this life’. Most telling are lines speaking of how:

One day I’ll find the heart
And with the aid of only madness, wonder when that day will start
A storm so revealing that my thick skin might shed.

Such lyrics betray a quest for sanity: the need to be at peace. Later in Lupen Crook’s catalogue of songs, would come the realisation that being ‘perfectly imperfect’ (‘Note to Self’ from British Folk Tales) might be something to accept and move on with.

But here, in ‘World’s End’, the search has not yet finished. It has, though, uncovered some beautiful gems along the way.

Find out more about Lupen Crook and plenty of other Medway musicians in my book, Do it Yourself: a History of Music in Medway.

You can buy ‘World’s End’ from iTunes. Find out more about Lupen Crook’s current project, The Lost Film Foundation on their Facebook page.

A Medway Christmas Alphabet: V is for ‘The Voyage’

‘Tis the festive season of advent calendars and countdowns to Christmas. To mark the occasion, what better way than to have a completely non-festive A-Z of Medway songs.

The Flowing - Talk About Wonder

Very often it is, most sensibly, a band’s first album on which they will set out their stall: this is our sound; these are the views we will express in our lyrics; this is the sort of thing you can expect from us until the drugs and drink exacerbate inter-band tensions that, to be honest, have always been present in the band, everyone gets annoyed with the songwriter (and his lawyer) because he’s made more money than the lot of us – twice over – and everyone goes their own way.

Not so alternative folksters The Flowing. The band have already released an album (2010’s Garden of England) and various other recordings – not to mention appearing at many, many gigs over the years.

They have, in truth existed in various forms: from a simple one-man, singer/songwriter act where The Flowing simply was Dave Pickett through to a line-up involving musicians too many to list here.

Since Garden of England, there have been substantial changes to The Flowing’s line-up, most noticeably the arrival of French horn and accordion player, Vicky Price and violinist and oboist Hannah Ellerby, both formerly of Los Salvadores. And on the band’s new album, Talk About Wonder, released a couple of weeks ago, the pair are utilised well from the get-go.

‘The Voyage’, then, becomes a kind of mission statement or manifesto, with both the French horn and violin getting substantially sized instrumental sections.

Even before Price and Ellerby make their presence known on the song, the sound of ‘The Voyage’ indicates an evolution for The Flowing. There’s a richness there, a greater clarity and, most obviously, sound effects: the gorgeous sound of the waves lapping on the shore.

Lyrically, there’s a nervousness to ‘The Voyage’. “Travel for a foreign land,” Pickett sings in the song’s opening line. But this isn’t a power ballad about endless possibilities and new beginnings; there’s much trepidation here.

You might, after all “marry a fine sailor with wealth and misery/silver in your hair and the Devil on your wing”, “the dam [might not] hold up so well tonight” and there’s the possibility “the road don’t hold our weight”.

And yet some form of optimism – some chink of light – does sneak through, however small. Before the return to the opening verse’s lyrics, vocalist Sophie Williams sings about the importance attached to letting “them know I tried” and, most importantly leaves an instruction: “Oh boy, don’t you be afraid.”

The swelling of The Flowing’s ranks may well be travelling into foreign lands, but “The Voyage” proves to be an assured performance, despite the theme of trepidation.

Oh boy, you really don’t need to be afraid at all.

Find out more about The Flowing and other folk acts from Medway in my book, Do it Yourself: a History of Music in Medway.

You can buy The Flowing’s Talk About Wonder from their Bandcamp page. Find out more about them on Facebook.

A Medway Christmas Alphabet: U is for ‘Up in the Air’

‘Tis the festive season of advent calendars and countdowns to Christmas. To mark the occasion, what better way than to have a completely non-festive A-Z of Medway songs.

Ah, the home stretch. Not long to go now. It’s Monday. Christmas is on Friday. But there’s still work to be done. Welcome to the letter U.

The Love Family - Out of Reach

The Love Family’s album, Out of Reach (2011) was a long time coming. The band had originally formed back in the dying days of the 1980s, with members having previously appeared in the line-ups of Swinging Time, Crystal Tipps and Alistair and Millions of Brazilians.

After a few EPs in the first half of the 90s and a song making it to the dizzying heights of the Radio 1 Evening Session‘s ‘single of the week’, the band fizzled away.

‘If we’d have had any sort of management – or anybody who knew what they were doing – we’d have probably done all right,’ Gary Robertson, the band’s lead singer and guitarist explained when I was researching my book. ‘It wouldn’t have been bad. We were pretty good. But it was just a disaster.’

The band’s reunion – and the emergence of Out of Reach – came thanks to the reunion of The Dentists in 2010. The Love Family were invited to reform specially to support The Dentists at their gig in Gillingham’s Beacon Court. The date was 26 March 2010.

‘It kind of awakened something,’ Robertson recalls. And that was how The Love Family came back.

Out of Reach is an album of two halves – both excellent. There are songs from the band’s earlier incarnation, such as ‘Body, Soul, Heart, Mind’ from The Happy Couple EP, the song which had so impressed Steve Lamacq at Radio 1. But there were other, newer songs too.

‘Up in the Air’ comes from the older selection of songs, having first appeared on the Burnt EP from 1992. It’s typical of The Love Family’s brash, thrashing guitar sound, beats all pounded out on six strings as much as they are on drum skins.

And the lyrics are a picture of frustration and irritation. Robertson sings from the point of view of someone dealing with an emotionally stunted antagonist. ‘Is it hard to care or just to show you care?’ he asks in the chorus.

Meanwhile, the verses show our narrator finds it a little easier to express himself: ‘I just want to bleed it out/I don’t want to heal’.

As with the tune, the lyrics are typical of The Love Family’s heart on its sleeve approach to song writing. Songs like ‘Gravity’ and, of course, ‘Body, Soul, Heart, Mind’ conform to this very emotionally honest template.

Not that ‘Up in the Air’ – or any other songs from The Love Family’s catalogue for that matter – sounds particularly miserable. As with The Wedding Present, with whom The Love Family share a similar palette, it wouldn’t be entirely inconceivable for some indie kids to dance to this stuff.

Find out more about The Love Family and plenty of other Medway bands and artists in my book, Do it Yourself: a History of Music in Medway.

You can buy your copy of Out of Reach from Amazon and iTunes. And get more information about the band on Facebook and Twitter.